Three Wildlife Stories

There are infinite interesting facts about St. Martin wildlife. But if you had just a couple minutes to tell someone what is so special about St. Martin, what would you choose? Here are three wildlife stories that everyone should know.

The Bearded Anole is only found on St. Martin.

There are animals that live only on St. Martin. There are two lizards you can see today, and one that is extinct. These animals were stranded here thousands or millions of years ago and evolved right here to become unique species. If they don’t have the habitat they need here, they could disappear from the world. That’s a good reason to make sure we save some wild spaces. The unique animal you are most likely to see is the Bearded Anole, a small tree lizard that is usually tan with bright blue around its eyes. The Spotted Woodslave is harder to find. It is a giant gecko that lives in the forest.

St. Martin is home to many migratory birds.

About half our birds are long distance travelers. Some birds live here all year, but about half the species that have been seen here are migratory birds. Most spend their summer in North America raising their chicks. Many go as far north as Canada and Alaska. When it is too cold to find food there, they come to St. Martin, or stop here on their way further south. Out salt ponds attract many birds that come to hunt fish, crabs or snails. Many of these birds spend most of their year here, so we could think of them as St. Martin birds that summer in the north.

Non-native animals are transforming St. Martin. The island is now home to many animals that were not from here. Amerindians brought the Red-footed Tortoise in prehistoric times, rats arrived on the first European ships and the mongoose was introduced in 1888. These days, most species arrive with shipments of trees and plants. The Cuban Tree Frog, Giant African Land Snail and the Brahminy Blind Snake probably arrived this way. Some cause trouble for native species, others don’t. The mongoose exterminated our native snake and two lizards. Introduced snails can eat up both gardens and wild plants.

The mongoose has exterminated three native animals.

What St. Martin wildlife story do you think everyone should know? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

Rare Books

On St. Martin, countless stories have been lost to time. For most of recorded history, only the thinnest slice of life was documented. For the vast majority of people, not a single word was written about their life, toils, resourcefulness, beliefs or loves.

But even the things that were recorded are vulnerable. Things as important as the Treaty of Concordia, which split the island between the French and Dutch in 1648, have gone missing. One of the original copies is still missing today. Other records have been lost, or destroyed in fire, flood or hurricane.

Books written about St. Martin are crucial links to information that is lost, or locked away in distant archives. Dr. J. Hartog’s book, History of Sint Maarten and Saint Martin is one of those links. He made detailed notes of the Lieutenant-Governor’s Journals of Sint Maarten as part of his research. In 1974, those journals were destroyed in a fire. Hartog’s book is the last record of much of this information.

A few out of print books about St. Martin.

S.J. Kruythoff’s The Netherlands Windward Islands contains some historical research. But it also includes many things that wouldn’t be recorded at all without his book, like the local names of plants and animals. His observations about nature and culture in the first half of the 20th century are priceless and unique. Very little was being published about the island at this time.

The Making of an Island by Jean Glasscock contains stories from conversations she had with St. Martiners between the 1960s and early 1980s. This is hardly ancient history, but St. Martin was tremendously different back then. Many of the people she spoke to have now passed.

The list goes on. For the Love of St. Maarten by Will Johnson, L’Immuable et le Changeant by Yves Monnier, Windward Children by Dorothy and John Keur and Beyond the Tourist Trap by Sypkens Smit each include stories of the island that can be found nowhere else.

These authors have succeeded where even governments responsible for preserving the public record have often failed. These works can still be read. Thanks to the number of copies that exist, they will almost surely survive long into the future.

Although these books are on many bookshelves, all of them are currently out of print. Copies can still be found occasionally by those with patience and the money to pay rare book prices. Someday they will enter the public domain, but many of us will be long dead by then.

In the meantime, what can we do? It is crucial that local libraries, schools and cultural institutions have copies of these works so they are available to the people of St. Martin. If possible, perhaps some of them could be reprinted with the permission of the authors and publishers. These books may also inform new works that continue the grand project of telling the story of St. Martin.

What is your favorite book about St. Martin? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

Cultural Resolutions

2020 is a brand new year. It is a chance to make a change and to try new things. Many of us have made resolutions, plans to improve ourselves or our community in this new year. Whether you have made other resolutions or not, here are a few cultural resolutions that you might consider for 2020.

Experience culture. St. Martin has plenty of culture, and it is easy to access. There are museums, galleries, events and performances. Experiencing culture in person is enriching. It is a break from the everyday and a reminder of what the island has to offer. Going to an event is also a chance to connect with the community. St. Martin culture is a set of shared traditions. If you don’t share in them, you lose your connection to this culture.

Participants reenact the Diamond Estate freedom run.

Participate in culture. Culture is for and by everyone. The only limitation is who chooses to take part. Your story is part of the St. Martin story, and it is as important as anyone else’s. Write down a story told to you by a parent or grandparent. Share a family recipe. Scan your family photos. Record an interview with a relative. The story of St. Martin is incomplete without your contribution.

Support culture. There are a handful of people who have worked tirelessly to preserve and share St. Martin culture for years or decades. They’ve done amazing things, but they have also had a lot of help from countless other people. Museums, book fairs and festivals don’t happen by themselves. They are created by volunteers and supported by donors. They are everyday people like you and me, but without their generosity perhaps culture would disappear on St. Martin.

Learning to find meaning in family photos during a workshop at Amuseum Naturalis.

There are plenty of reasons why being culturally active today is important to St. Martin. Stories are lost each year as elders pass away. Letters, diaries and photos are lost or destroyed with no backup. Many of the cultural leaders of the 80s and 90s have retired without a new generation to carry on work in their fields.

But the most important reason to be culturally active is because it will improve your life. Culture links you to your past and makes you optimistic about the future. Culture is the thing that connects a community across time and space. Without culture, we are alone. And that’s no way to spend 2020.

What is your cultural resolution for 2020? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

On Sandy Ground

Anyone in search of a deeper understanding of the recent protests would do well to read the book Saint-Martin: Destabilization of the French Caribbean by the late Daniella Jeffry. It focuses primarily on a period of great change on the island, from the late 1970s to the early 1990s.

Jeffry set the stage with an overview of colonial history, and what she called the “Traditional Period” between 1848 and 1963. In her view, the collapse of the sugar industry, the end of slavery and the departure of white plantation owners led to a time of relative peace during this period. People farmed, fished and did seasonal salt work. People were poor, but largely free to do as they wished. France had little interest in St. Martin, giving the island a kind of independence.

Sandy Ground resident and her home circa 1980. (Photo from Yves Monnier)

Things began to change as tourism developed. The Dutch side began first, building the new airport and pier and the first hotels. By the beginning of the 1980s and feeling 20 years behind, France was in a rush to develop their side of the island. 

The 1980s were a turbulent time, even though tourists might remember it as a golden age. There was massive development, immigration tripled the population of French St. Martin, and the French state increased its involvement in local affairs. Laws and zoning plans were changed to facilitate tourism development. 

Jeffry’s book describes one series of events in March of 1980 may help us better understand the current conflict over today’s natural disaster risk prevention plan (PPRN). In early 1980, there was a development plan to transform Sandy Ground into a tourist area. The homes there where people lived and raised their families were largely built without permits on land that they did not have clear title to. One of the first steps was to knock down buildings that the state considered illegal.

Sandy Ground from above around 1980. (Photo by REGNAM)

In response to the first houses being bulldozed, 2nd Deputy Mayor Albert Romney-Burnett bulldozed the French security police barracks in the same area. The next Saturday, March 8th, a meeting was held to discuss the transfer of Sandy Ground land to the government.

Mayor Elie Fleming explained to the the tense crowd that due to the position of Sandy Ground, between lagoon and sea, and the distance between the high water marks on each side, the land actually belonged to the state. He said “Sandy Ground, for those who do not know, is the result of the abuses of those people who came here to work but could not find a place to live.” He said that these “greedy and selfish people” would not be allowed to continue living there. The area to be retaken by the state would be marked by the following Monday.

Mrs. Berry Gumbs, who owned a home in Sandy Ground, spoke up to say that no one could take her property. Albert Romney-Burnett encouraged residents to get their property ownership legalized. He also said, “St. Martin people are a very understanding people. But one thing is for sure, we are going to stand up for what is rightfully ours. I feel that St. Martin people have been pushed in a corner and we are going to stand up and defend ourselves.” He also made a call to “protest in a peaceful way.”

The comments from the crowd and the heated atmosphere seemed to change the mind of government. The plan to take Sandy Ground was not implemented in 1980. Since then, questions of land ownership and zoning have often caused dispute. And the echoes of March 8th, 1980 can still be heard.

What are your memories of unrest in the 1980s? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

You can read Saint-Martin: Destabilization of the French Caribbean at Soualibra. You can buy it on Amazon or at Arnia Bookstore.

Merry Guavaberry

The guavaberry is an easy fruit to love. It is sweet and tangy and the tree itself is beautiful. It is native to St. Martin and other parts of the Caribbean, a natural part of the landscape.

The tree grows wild here, but it is also raised for its beauty, its wood, and especially its fruit. Guavaberry is made into tarts and jams, and it is used to flavor rum. It is one of the essential flavors of St. Martin.

The guavaberry plant and its traditions are presented at the Guavaberry Festival.

Although it is found on many islands, only a few places use it so much. St. Martin perhaps most of all, and also the Virgin Islands. The fact that it is popular in the northeast Caribbean is a reminder of the cultural connections between these islands.

Guavaberry is also popular in the San Pedro de Macorís area of the Dominican Republic. In the early 20th century, St. Martiners and people from nearby islands came to this area to work in agriculture. At the time, the St. Martin economy was struggling. The guavaberry traditions brought with these economic migrants are still alive there today.

Here, the guavaberry is a key part of deep cultural traditions. It is strongly connected to the Christmas season. Some would say that Christmas time is the one true time to enjoy guavaberry in all its forms. Perhaps the most traditional Chrismas song on the island is the guavaberry song, with its lyric “Good morning, good morning, I come for me guavaberry.”

Christmas is celebrated in countless places, but it has some special meaning in St. Martin. It comes at the end of the rainiest season when many crops are ready to harvest. It comes after the hurricane season, when everyone can breathe a sigh of relief. Guavaberry rum is the perfect drink for this moment of sweetness, celebration, release and friendship.

The Jolly Boys play the guavaberry song.

The Guavaberry Festival in Colombier brings all of these ideas and feelings together. It is a celebration of the fruit and of the season. It is a chance to get a tree or some seeds and take part in the tradition of cultivation. The joyous music is a living celebration of this wonderful tree.

What is your favorite way to enjoy guavaberry? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

Postcards of Paradise

Pristine Galisbay beach (Barbara Cannegieter postcard collection)

While scanning selections from Barbara Cannegieter’s enormous collection of postcards, it was interesting to see how they changed through the years. Postcards are made to represent a place, or the ideal of a place. But places change, especially St. Martin.

Very early postcards, from the late 19th and early 20th centuries mostly document “important” things. Marigot and Philipsburg are there because they are the capitals. Front Street is featured because it is Front Street. St. Martin was a faraway place back then, more remote than anyone today could probably imagine. A postcard may have been a way of proving that it existed at all.

Over time, postcard images became more diverse. Many highlighted the natural beauty of green hills and unspoiled beaches. Scenes of Caribbean life were also popular: fishermen with their catch and produce for sale at Marigot market. The unique architecture of the island along Rue de la République and other streets is often on display.

Eventually, St. Martin as a tourist destination became the subject of many postcards. Hotels and resorts were on postcards, from the extravagant fake Mediterranean village of La Belle Creole to a variety of boxy and inelegant hotel buildings. Tourists appear in postcards, doing duty free shopping and water sports.

La Belle Creole (Barbara Cannegieter postcard collection)

Postcards reflect different views of the island. They were made to appeal to buyers, so they reflect what those buyers loved about St. Martin. At least, the ones that sold. They also helped create the image of St. Martin. These very specific images were how St. Martin was shared around the world.

How we see these images today can also tell us a lot. For St. Martiners, and others who love the island, postcards are powerful. Familiar views of towns bring a rush of nostalgia. People recognize the faces of fishermen and shopkeepers. Images of unspoiled landscapes often bring a sense of loss.

The St. Martin of all these old postcards is gone. Or at least, it has changed to the St. Martin of today. Simpson Bay will never be unbuilt, but we could protect the last few wild views. Some of the classic Caribbean houses of Grand Case, Marigot and French Quarter may be crumbling, but many could still be returned to glory. St. Martin may not have any fishing villages today, but it still has people who fish.

Scene on the dock in Marigot (Barbara Cannegieter postcard collection)

In every postcard, there is an element of St. Martin that is still here, whether it is a place, a tradition or a feeling. Perhaps it is hidden, perhaps it is in disrepair, perhaps it is hanging by a thread. But it is not too late to save a little bit of what we love from the past.

What do you miss from St. Martin’s past? What needs to be saved today? Tell us about it by writing in to The Daily Herald or to info@lesfruitsdemer.com.

See more old postcards and photos at the St. Martin Image Collection.

Image Building

Photos may be the most direct link we have to the past of the island. Photos capture people, places and things from the past. They capture culture and family history. They show us nature and the landscapes of the past. We can see what people were doing and the expressions on their faces.

Photos are also important because they contain stories that were never written down. Where written history features a handful of people, we have photos of many people. By preserving, sharing and studying these photos, we can build a more complete history.

Many people are already working on this project, perhaps without thinking of it in this way. There are people sharing photos on social media, and others commenting. Every time someone uploads a photo or identifies a person or a place or a year in a comment, our knowledge of the past increases.

Barbara Cannegieter’s postcard collection is also a rich source of local history and culture. (Photo from Barbara Cannegieter Postcard Collection)

Even the simple act of saving family photos, postcards and other materials is part of this process. Without these collections, there would be nothing to study or share. St. Martin is a land of 1,000 archivists who have protected these precious memories through the years.

A physical photo album has some limitations. It isn’t accessible to everyone. It could also be destroyed in a storm or thrown away by someone who doesn’t value it. Making images digital and sharing them brings them into the public sphere. It also ensures that at least some version of the image remains even if the original is lost.

Social sharing is a great way to help people connect to photos and share insights, but it also has limitations. Often photos are shared in low quality. This can be okay on a computer or phone screen, but some details may be lost. Also, social media is not very good for organizing photos. Many people may see and comment on a photo when it is posted, but it can be hard to find it again.

St. Martin may not have the resources to create a state of the art archive like those at the Library of Congress or New York Public Library. But it is possible to make a simple site where photos can be shared and information about them can be collected. You can find the beginnings of this site at http://image.amuseumnaturalis.com.

Right now, the St. Martin image collection includes photos and postcards from several generous people who offered to share what they have preserved. Others are welcome to contribute images or information about what is in the photos. Over time this can grow to a rich archive of images and stories that is accessible to all.

Even photos from not so long ago reveal amazing changes, like this photo of Marigot near Howell Center from 1962. (Photo by Gordon James)

Do you want to learn how to find the stories in your family photos? There will be a free workshop on Saturday, December 7th at Amuseum Naturalis. You will learn how to find the story in a family photo you bring. You will also get a scan of your photo that you can share with family for the holidays. To sign up, email info@lesfruitsdemer.com.

Find Stories in Your Family Photos at Free Workshop

Family photos are rich in meaning.

Do you ever wish you knew more about your family history? Are you looking for something special to share this holiday season? Sign up for the free Family Photo Workshop and you can do both these things. The workshop will be held at Amuseum Naturalis from 9am to noon on Saturday, December 7th.

Every photo also tells a story. When we learn how to read the story in a photo, that story comes alive and can be a part of history. Cesar Escalona is an expert at finding the meaning in photos, and he will help you find the story in one of your own family photos at the workshop. Cesar is an anthropologist and photographer who specializes in finding culture and history in photos.

“Photos show us many things about the past,” said Escalona. “We can see who our ancestors were, what they were doing, how they dressed and the landscape around them. They hold details about culture, everyday life and historical events. Photography also has a visual language, just like painting and other arts. By learning the basics of this language, we can find out what the photographer’s choices tell us.”

Each person will find the story in their own family photo using what they learn in the workshop. They will also receive a high-resolution scan of their photo so they can share their photo and story with family and friends for the holidays. It’s a great chance to discover and connect with your own family history, and share what you learn with your loved ones.

Even informal photos can tell us a lot about family and culture.

This workshop can also be a first step towards studying your family history in more detail and connecting it to the history of the island. Future workshops will cover topics like digitizing photos and how to protect and preserve family photos. 

To sign up for this workshop, email info@lesfruitsdemer.com or send a message to Les Fruits de Mer by Facebook. You will need to bring at least one family photo to work with during the workshop. All other materials will be provided. The workshop is free, but space is limited, so make sure to reserve your spot!

Cesar Escalona is an anthropologist specializing in the study of photos. (Photo by Kristin DeFalco)

About the Workshop Leader
Cesar Escalona is an anthropologist from Central University of Venezuela. Since 2007 he has specialized in the study and audiovisual documentation of Venezuelan cultural diversity as expressed in the rituals and festivities of indigenous, Afro-Caribbean and Catholic people. He has also completed specialized studies in gender and sexual diversity (2013) and visual anthropology (2014). He is dedicated to development of visual methodologies and investigation of photographic image as narrative and construction of the past. As a university instructor and community teacher, he taught audiovisual methodologies and forms of research of the past in the rural communities of western Venezuela.

MBF 2019 Photos, Part Three

More great photos from the Migratory Bird Festival, thanks Aymeric Consavi, Damien Chagnaud and César Escalona!

The annual Migratory Bird Festival is organized by the Les Fruits de Mer association. The 2019 event was made possible by the generous support of this year’s sponsors: 97150, Animal Hospital of St. Maarten, Belair Beach Hotel, BirdsCaribbean, BZSE, Caraïbes Numeric Print, Delta Petroleum, Dynaf, Etna Ice Cream, Hotel L’Esplanade, Lagoonies Bistro and Bar, Trakx Design, White Sands Beach Club and Yacht Club Port de Plaisance.

MBF 2019 Photos, Part Two

More awesome photos from the 2019 Migratory Bird Festival, courtesy of photographer Kristin DeFalco…enjoy!

The annual Migratory Bird Festival is organized by the Les Fruits de Mer association. The 2019 event was made possible by the generous support of this year’s sponsors: 97150, Animal Hospital of St. Maarten, Belair Beach Hotel, BirdsCaribbean, BZSE, Caraïbes Numeric Print, Delta Petroleum, Dynaf, Etna Ice Cream, Hotel L’Esplanade, Lagoonies Bistro and Bar, Trakx Design, White Sands Beach Club and Yacht Club Port de Plaisance.

MBF Photos, Part One

Did you miss the seventh annual Migratory Bird Festival? Just want to revisit what a fantastic time it was? Check out some photos from the event!

The annual Migratory Bird Festival is organized by the Les Fruits de Mer association. The 2019 event was made possible by the generous support of this year’s sponsors: 97150, Animal Hospital of St. Maarten, Belair Beach Hotel, BirdsCaribbean, BZSE, Caraïbes Numeric Print, Delta Petroleum, Dynaf, Etna Ice Cream, Hotel L’Esplanade, Lagoonies Bistro and Bar, Trakx Design, White Sands Beach Club and Yacht Club Port de Plaisance.

Family Tree, Island History

At the Museums Association of the Caribbean conference in Martinique last week, Hannah K Scruggs, Kamilah Stinnett and Doretha Williams from The National Museum of African American History and Culture gave a presentation titled Genealogy in Museums: Finding Family while Exploring Cultural Heritage. Their museum has a Family History Center that hundreds of people visit each day. They offer six sessions each day where people can come in and get help researching their own family tree.

Genealogy, the study of family history, is a way for people to understand where they come from. It is also a way to find one’s place in history and in a community. It connects people to their own family, but also to the world.

Usually, the starting place for making a family tree is asking other family members, especially older ones. Scrapbooks and memorabilia can also give key details. More and more, records are being digitized and may be searchable online. Public records, newspapers and archives are all important resources.

Local records, like this salt production journal, can give family history clues.

For anyone with ancestors who were enslaved, it can be hard or even impossible to trace family roots through this period. Not being able to trace family history is a part of the trauma of enslavement that still hurts people today. But many people find it rewarding to discover the family history that is available.

At the Family History Center, visitors can have access to databases and help learning how to research. On St. Martin, it would be very good to have a similar center. By helping individual people learn about their own history, we could enrich what we know about the history of the island as well.

On St. Martin, family research would surely reveal many connections between local families. It would also show how people from St. Martin are connected to relatives on Anguilla, St. Kitts and beyond. In these connections, we can find stories of survival and cultural connections. A handful of people researching their own family histories would enrich the lives of everyone interested in St. Martin.

A family history is like a map for the past. Combined with photos and documents that can be scanned at the heritage preservation station at Amuseum Naturalis, we can make that past come alive. The history of the island can be transformed to include the history of everyone on the island. This inclusive history has its roots in the family tree.

Are you interested in researching your family tree? Have you already started? Tell us about it by writing in to The Daily Herald or to info@lesfruitsdemer.com.

Landscape and Memory

On the first morning of the Museums Association of the Caribbean conference, John Angus Martin gave a presentation called Exhibiting Slavery in the Caribbean Museum. It is a challenging topic that many museums have avoided in the past. His presentation sparked animated discussion amongst the attendees.

Martin focused specifically on how small museums in the Caribbean can tackle this topic. These museums tend to lack funding, resources and space to address a topic so big and important in the detail it deserves. Making space for people with diverse perspectives and different ways of processing this history is also hard.

Dry stone slave walls are legacy features that crisscross the island.

Despite the challenges, Martin had many suggestions. One key element is focusing on the people themselves. Exhibits that focus on artifacts or data tend to be cold and clinical. Stories should be personal. Humanity can be lost when exhibits focus on the magnitude of the slave trade. It is hard to tell personal stories when most names and lives were not recorded, but some records do exist.

Martin also highlighted the need to honor and memorialize. People should feel empathy and sorrow. There can be space for contemplation, and the hope of working towards a sense of closure. Featuring stories of resistance is part of this, but honoring how people survived is also important.

Martin suggested that the starting point of exhibits about slavery should be here and now. The story should be told starting from the present and working back into the past. It should highlight how this history has influenced life and culture today. The focus should be local, and the local story should not be lost by trying to tell a global history of slavery.

Slavery exhibits should be rooted in the local landscape, which often a key to telling the story. Although many of the signs of slavery on plantations are gone, the land itself remains. The places where enslaved people lived and toiled are still here. The landscape itself was transformed by their labor. Many of the plants were brought with them are still growing here, what does remain from this era was built by their hands.

Sugar mill machinery was operated by enslaved people.

What do you want an exhibit about slavery? What would you like to learn or see? Tell us by writing in to The Daily Herald or to info@lesfruitsdemer.com.

Kids Connect with Nature and Heritage at Migratory Bird Festival

Kids explore nature while playing BirdSleuth Caribbean games. (Photo by Kristin DeFalco)

On Saturday, hundreds of kids roamed garden paths looking for signs of birds. They dipped nets into huge old boiling coppers to find tadpoles and aquatic insects. They decorated their own bird backpacks to take home, and learned how their own family story is part of the island’s history. Learning has never looked so fun!

Historic boiling coppers are a hunting ground for kids looking for tadpoles and aquatic bugs. (Photo by Mark Yokoyama)

It was a beautiful sunny day during the island’s rainiest month, and over 250 people came out to enjoy the seventh annual Migratory Bird Festival at Amuseum Naturalis. The festival celebrates the birds that travel thousands of miles each year to come to St. Martin. It also celebrates the the things that make St. Martin special to both birds and people.

“This year’s festival was really special because we were able to provide buses for schools and youth groups,” said festival organizer Jenn Yerkes. “We were able to reach more youth than ever, and it is all thanks to our sponsors. It’s not enough to have a free event if the kids can’t get there, so we want to do this even more in the future.”

At the Portable Pond Station, people learned about all the underwater animals that many birds come to St. Martin to eat. They could even see them up close under the microscope. Kids explored the gardens and paths while playing Bird Bingo and a habitat scavenger hunt from the BirdSleuth Caribbean program. They also learned about pelicans and how plastic can harm birds.

A team of over 30 volunteers worked together to make the festival a success. (Photo by Mark Yokoyama)

In the craft area, kids and adults decorated canvas backpacks with bird art. They took the backpacks home, to use instead of plastic bags. The mobile media and learning hub IdeasBox was also at the event, bringing books, games and tablets loaded up with videos and e-books about St. Martin’s birds.

Cotton backpacks are a plastic alternative and look great with bird art. (Photo by Kristin DeFalco)

Heritage preservation work was also done at the event. One team of volunteers recorded oral history interviews with event visitors. Another team showcased the mobile heritage preservation station, scanning photos and giving advice on how to preserve pictures. Visitors saw how many things can be learned from photos, and how family stories and photos are part of the island’s history.

An interview team recorded oral histories at the event. (Photo by Mark Yokoyama)

The annual Migratory Bird Festival is organized by the Les Fruits de Mer association. The 2019 event was made possible by the generous support of this year’s sponsors: 97150, Animal Hospital of St. Maarten, Belair Beach Hotel, BirdsCaribbean, BZSE, Caraïbes Numeric Print, Delta Petroleum, Dynaf, Etna Ice Cream, Hotel L’Esplanade, Lagoonies Bistro and Bar, Trakx Design, White Sands Beach Club and Yacht Club Port de Plaisance.

At the Portable Pond, kids got an up-close peek into an underwater world. (Photo by Mark Yokoyama)

Plastic Problems

A Killdeer surrounded by plastic.

There’s too much plastic in the world. People have made almost 10 billion tons of plastic, and only 10% is recycled. The rest ends up in landfills, natural spaces and the sea. And there’s plenty of it on St. Martin. Some of the most beautiful places on the island are full of plastic garbage.

Plastic waste is ugly and it can cause problems for people. Mosquitos can breed in plastic containers full of rainwater. Plastic can also break down into tiny particles that are literally everywhere.

For birds, plastic is even worse. Many birds eat plastic. In the water, algae grows on plastic and make it smell like food. Birds eat it and feed it to their babies. Birds starve with stomachs full of plastic instead of food. Plastics also absorb toxic chemicals and poison birds. Sharp plastic objects can cause internal damage as well.

A Snowy Egret looks for food on a plastic bag.

Plastic can also trap birds. Old fishing gear and other plastics in the sea can trap birds. If a bird gets tangled in plastics, it can drown. This is a serious problem for the Magnificent Frigatebird that fishes and forages for food that is on the surface of the sea. Frigates don’t dive into the sea. If they do get caught and pulled into the water they can drown.

Plastic gets in the way. Plastic bags fly in the wind and plastics float across the sea. They clutter up beaches and ponds. These are places where birds hunt for food or make their nests.

A Black-necked Stilt nest beside a plastic bottle.

Plastics are a big problem on St. Martin, but there are many ways that you can help. Buy less plastic. You can connect with St. Martin traditions by using reusable bags, water bottles and food boxes like people did back in the day. You can recycle, and make sure your plastic never gets into wild spaces. Pick up plastic litter when you see it, or join a beach clean-up.

Your individual actions can help, but you can also encourage local government to make changes. Banning plastic bags and other single-use plastics can help everyone use less plastic. With laws to lead the way, people and businesses can find better alternatives for a cleaner and more beautiful St. Martin.

Do you remember the days when St. Martin was trash free? It could be that way again. To learn more about how plastics hurt birds and enjoy lots more fun activities, come to the Migratory Bird Festival from 9am-12pm on Saturday, November 9th at Amuseum Naturalis.

Fun Activities with Birds and Heritage at Free Migratory Bird Festival on Saturday

Measure your wingspan at the festival.

People of all ages are invited to learn about amazing traveling birds at the seventh annual Migratory Bird Festival this Saturday. They can also share their memories of the island to help preserve local heritage and stories. The free festival runs from 9am to noon at Amuseum Naturalis at The Old House in French Quarter.

BirdSleuth games are a fun way to learn about birds and enjoy nature.

“St. Martin is special to everyone who lives here, but it is also very special to birds,” said Les Fruits de Mer co-founder Mark Yokoyama. “Birds travel thousands of miles to live in St. Martin during the fall and winter. They depend on the fish and crabs in the island’s ponds, and the insects in our forests and fields. They’ve been coming here for millions of years, and the festival is a great way to learn about them and the island we share.”

Kids can catch and release aquatic animals like tadpoles and water beetles.

There are many fun things to do at the festival. You can see the incredible underwater world of insects, fish and crabs at the Portable Pond Discovery Station. You can test your detective skills with BirdSleuth activities. You can hear the calls of some of our migratory birds, and see how your wingspan measures up to theirs. You can also add bird art to a cotton backpack, and bring it home with you to use instead of plastic bags.

See all the critters that birds love to eat at the Portable Pond.

“We’ll also have some great heritage activities at the festival this year,” explained Les Fruits de Mer President Jenn Yerkes. “We will be recording oral histories, and we’ll have a heritage preservation station. If you bring old photos or other items, we can scan them for you. You can also learn how these photos teach us about the culture and history of the island.”

This year guests can decorate a cotton backpack.

The festival is organized each year by the Les Fruits de Mer association. This year, several guests will also be leading activities. There will be a showcase of IdeasBox, a mobile library and learning hub that recently launched on St. Martin. The St. Maarten Nature Foundation will be presenting research on pelicans and what we can do to reduce plastic trash.

The Migratory Bird Festival is free. It lasts from 9am to noon on Saturday, November 9th, rain or shine. It will be held at Amuseum Naturalis at The Old House on the hill above Galion Beach in French Quarter. For more information, visit http://lesfruitsdemer.com or find Les Fruits de Mer on Facebook. The event is made possible by the 2019 sponsors: 97150, Animal Hospital of St. Maarten, Belair Beach Hotel, BirdsCaribbean, BZSE, Caraïbes Numeric Print, Delta Petroleum, Dynaf, Etna Ice Cream, Hotel L’Esplanade, Lagoonies Bistro and Bar, Trakx Design, White Sands Beach Club and Yacht Club Port de Plaisance.

Precious Memories


Written by Mark Yokoyama and César Escalona

Photos are a window into our lives. They show who we are and how we lived. They are a record of heritage, history and culture.

Some histories only record the lives of rich or powerful people. But most families have photos, so photos can tell the story of almost anyone. With photos, we can all be part of history.

Photos capture cultural heritage. You can see how people dressed and the houses they lived in. They show us events and places that were important to people.

Photos reveal culture in clothing and objects.

They show traditions that built up over time that make this island unique. When families took photos at parties, events and jollifications, they were making a historical record—even if they didn’t think of it that way at the time.

These photos show us people’s expressions and what they were doing. They show us how people interacted with each other. They also show material culture. We can see what people were wearing and the objects around them.

Photos taken outdoors show us the cultural landscape. We can see architecture and nature, and how people are interacting with the island. On St. Martin we often see how much the island has changed in a very short period of time.

Photos are a window into the past. We can use them to learn what life was like. But they also show us where our traditions came from. We can see the roots of today’s culture in the photos of yesterday.

Photos are art. The photographer was expressing their vision, and their creative choices are captured in the photo. Family portraits were made with care. Each detail reflects a choice: how the people were grouped, what they wore, where the photo was taken and how they posed. The choices have symbolic meaning we can study, telling us about the family and their culture.

Even a beach day snapshot can tell us many things.

Every picture is important. Old photos and photo albums are precious family memories. But they are also important historical archives. Your photos can be a part of history. When we preserve photos, we build a richer history of the island. We make sure everyone’s story is part of the story of St. Martin.

Do you have old family photos? You can have them scanned at Amuseum Naturalis in French Quarter. You can also learn more about why photos are so important at the heritage preservation station at the Migratory Bird Festival from 9am-12pm on Saturday, November 9th at Amuseum Naturalis.

Jollification

Pounding arrowroot at the Arrowroot Jollification in Colombier.

In the first National Intangible Cultural Heritage Inventory of St. Maarten, jollification has a modest entry:

A traditional gathering of people to help build a house, well, or fence and at which food is served as compensation.

To most of the world, and even most of the Caribbean, a jollification is a just a party. Parties are great and jollification is a great word for party. But the meaning of the word on St. Martin is more complex. It also tell us a lot about local culture.

On St. Martin, neighbors had to come together to help each other. Some tasks, like fixing a roof or digging a well couldn’t happen any other way. Before the modern era most labor was done by hand. People had to lift and dig and carry together.

St. Martin was a small island and it was a poor island. But the people of the island provided for themselves by combining their talents and labor. There was not just an idea of community. People truly depended on each other.

Working together also makes sense in St. Martin’s climate. Crops had to be planted in time for the wet season. A well can only be dug during the dry season. People used jollification to do things when they needed to be done.

Reaping together at Arrowroot Jollifcation.

It would not be surprising if the roots of jollification stretch back to the time of slavery. Enslaved people were forced to work long hours. They typically worked six days a week. But they were also growing their own food and taking care of their basic needs during the little time they had left. It is hard to imagine how they could have survived without helping each other.

Today, the tradition of jollification is in decline. People are busy with their jobs. There are companies that build houses and replace roofs. Most St. Martiners aren’t digging wells or reaping provision grounds. Thankfully, the tradition is kept alive by events like the Arrowroot Jollification in Columbier.

Generation New Status band at Arrowroot Jollification.

Jollification is a key part of local culture, but it also has a place in today’s society. When people come together to volunteer, the spirit of jollification lives on. Especially when there are food and drinks. After all, volunteering isn’t really a jollification unless you also have a party.

What does jollification mean to you? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

You can’t have a jollification without food

Les Fruits de Mer Association Launches Mobile Heritage Preservation Studio

Les Fruits de Mer volunteers record oral history interviews.

The Les Fruits de Mer association is thrilled to launch their new mobile heritage preservation studio. The portable studio can go anywhere. It is made to capture and preserve culture and heritage through oral history and other forms of archiving.

“We wanted to create a small mobile system so we could record heritage all over the island,” said Mark Yokoyama, co-founder of Les Fruits de Mer and Amuseum Naturalis. “It’s simple, it’s not pricey and it lets us document heritage on the go.”

The studio includes a scanner for photos, letters, and memorabilia, and a photo kit for heritage objects. A basic audio and video kit makes it easy to record interviews. Island Gems generously donated some of the items needed for the studio.

Heritage items are carefully photographed at Amuseum Naturalis.

“Over time, photos, letters, diaries, and other memorabilia become key records of culture, heritage and history. They are vital clues to how people lived in a previous era,” explained Les Fruits de Mer President Jenn Yerkes. “They aren’t just valued for personal or family history. They become part of the history of the island. So when these things are lost, or damaged in a disaster like Irma, it’s a loss to the whole island. Digitizing them creates a backup for people and families. It also preserves the culture and history of the island.”

Scanning can help preserve fragile items like old photos.

The studio will officially launch at Les Fruits de Mer’s 2019 Migratory Bird Festival. At the event, volunteers will be using it to record oral histories. The festival is free to all, and everyone is invited to come share their stories. People can also bring their heritage photos, letters and other items for scanning. 

The festival will feature fun activities for all ages, like birdwatching, bird-themed games, discovery stations, and arts and crafts. It will take place Saturday November 9th from 9am to noon at Amuseum Naturalis at The Old House on the hill above Le Galion in French Quarter. The event is made possible by the 2019 sponsors: 97150, Animal Hospital of St. Maarten, Belair Beach Hotel, BirdsCaribbean, BZSE, Caraïbes Numeric Print, Delta Petroleum, Dynaf, Etna Ice Cream, Hotel L’Esplanade, Lagoonies Bistro and Bar, Trakx Design, White Sands Beach Club and Yacht Club Port de Plaisance.

Intangibles

What is St. Martin culture? It is hard to put a finger on it. Local culture is the way things are said, or a proverb or a story. It is the way a food is cooked and on what occasions it is served. It is stories, crafts, games, songs, dances and much more. It can be hard to point to something and say “That is St. Martin culture.” But at the same time, it is all around us.

Over the last few years, the Sint Maarten National Commission for UNESCO has worked with the Department of Culture to write down the things that make local culture special. They created a survey and collected over 230 responses. The resulting list is the first National Intangible Cultural Heritage Inventory of St. Maarten.

Rice and peas are on the menu at Yvette’s Restaurant and part of local heritage.

The inventory is focused on five areas: oral traditions; performing arts; social practices; rituals and festive events; knowledge and practices concerning nature and the universe; and traditional craftsmanship knowledge and techniques. The list includes over 200 different entries across these categories.

The list is rich. It includes jumbie stories and and songs like Mama Make Yo’ Johnny Cakes Christmas Comin’. It includes carnival, boat racing and dominoes. Foods like locri, conkie and guava cheese are there. Skills like making coconut oil and cooking on a coal pot made the list. You can also find crafts like making a fish pot or dry stone wall.

Traditional boat building and racing are part of the inventory.

The inventory also notes which aspects of local culture are thriving or declining. Bull foot soup isn’t going to die out any time soon, but jollifications and horse races are less common than they were.

The intangible cultural heritage inventory is rich with things that make St. Martin special. There are also many things that still need to be added. The childhood game of rubbing a nickernut on a rock and then pressing the hot seed into a friend’s arm should probably be there. Also, the skill of making a noose from a blade of grass to catch a lizard.

The inventory is both a resource and an inspiration to those who have things to add to it. It is ready for your contributions. There is a copy at Amuseum Naturalis. You can also find it online at http://www.unesco.sx.

What intangible heritage do you want to add to the inventory? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

Amuseum Naturalis Reopens for the 2019-2020 Season

Amuseum Naturalis is a free museum about St. Martin’s nature and heritage.

Amuseum Naturalis has reopened after its break and is ready for visitors! The free museum of St. Martin’s nature, heritage and culture is open Tuesday to Saturday from 9am to noon. The Amuseum is located at The Old House in French Quarter, on the hill above Galion Beach. Amuseum visitors of all ages enjoy special exhibits, gardens, viewpoints and fun activities.

“We’re very excited to announce our fall reopening!” said Jenn Yerkes, President of Les Fruits de Mer, the association behind the Amuseum. “We invite everyone to come visit the Amuseum. If you’re a teacher or youth group leader, please get in touch to schedule a free visit!”

Amuseum Naturalis has welcomed over 6,000 visitors to The Old House over the last year.

Amuseum Naturalis opened at The Old House on July 22, 2018. Since then, the Amuseum has had over 6,000 visitors. Over 2,000 kids visited with schools, youth groups and summer camps. 

Amuseum Naturalis is a free museum of the nature, history and culture of St. Martin and the Caribbean, created by the Les Fruits de Mer association. It is an all-volunteer project, and over 300 people have spent over 5,000 hours to create and operate the Amuseum.

Over 300 people have volunteered to help build Amuseum Naturalis.

Upcoming events at the Amuseum include a volunteer day from 9am to noon on Saturday, October 19th with lunch served after. The seventh annual Migratory Bird Festival will be held at the Amuseum on November 9th.

Amuseum Naturalis is open from 9am to noon Tuesday to Saturday, and admission is free to all. It is located at The Old House, on the hill above Galion Beach in French Quarter. More information and a map are available at http://amuseumnaturalis.com.

Window on an Island

Every window presents a different view.

Look out any window and you’ll see St. Martin. At least, you’ll see part of it. You might see your neighbors working on their house, cars passing in the street or clouds rolling in. Every window presents a slightly different view of the island.

If you don’t have a good view in the right direction, you might check Google for the weather. Beneath the forecast, you may see a section titled “People also ask.” Below are a series of questions that you can click to reveal the answers:

What is there to do in Saint Martin? What is the water temperature in St Maarten? What is there to do in Saint Martin? Is St Martin safe? Which side of Saint Martin is better? Do they speak English in St Martin? Can I use my credit card in St Maarten?

It is clear that a lot of the people asking questions about St. Martin are choosing their next vacation destination. As one of the world’s largest advertising platforms, Google is happy to help them find a place to spend their money. Hopefully some of it gets spent here.

Google says its mission is “to organize the world’s information and make it universally accessible and useful.” It is a worthy goal. In practice, St. Martiners researching their heritage have a hard time. Authentic voices from and about St. Martin are buried under pages for and by outsiders looking to visit. These travel sites present a limited and often inaccurate view of the island.

This problem is not a surprise. Google is a company, not a library. The infinite potential of the internet promised a place for all voices. In practice, most voices are buried. As algorithms pick out the questions and answers for us, things may get worse. People ask Google, Siri or Alexa for answers, and they are less likely to know where those answers come from.

For the question “What is the crime rate in St Martin?” Google presents a page that generates a “crime rate” based on an internet survey that was filled out by two people. Questions about language, history and geography are answered from travel forums and hotel websites.

What can we do? We can get more St. Martin voices online and searchable. We could bring archives online and digitally republish books and articles. Amazing stuff is being shared on Facebook, and it deserves to be on the web for all to enjoy. Many great resources don’t even have a chance to be in web search results because they aren’t on the web yet.

St. Martin should also curate its own story. Anyone can edit Wikipedia, and information there makes its way all over the web. The island needs more web sites for and by St. Martiners. Libraries, museums and schools need the resources to safeguard and share the stories of St. Martin. The island needs to train its own experts for this crucial role. We can’t change Google, but we can change St. Martin.

How would you make sure St. Martin has a voice in telling its own story? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

St. Martin and the Caribbean Celebrate World Migratory Bird Day This Fall

The seventh annual Migratory Bird Festival will be held at Amuseum Naturalis on November 9th.

The arrival of fall heralds a change in the seasons—even in the Caribbean. The days grow shorter and the fierce heat of the sun lessens. Countless birds journey to their winter homes in the tropics. All over the region, Caribbean people celebrate World Migratory Bird Day and the birds that come here every year.

In the Caribbean, about a third of the 500 often seen species of birds are summer or winter visitors. More than 60 events on 20 Caribbean islands are already lined up to celebrate these amazing birds. More than 80,000 residents and visitors will join in the activities, led by Environment for the Americas and BirdsCaribbean.

On St. Martin, the seventh annual Migratory Bird Festival will be held at Amuseum Naturalis on Saturday, November 9th from 9am to noon. The free festival tells the story of these amazing birds with expositions, discovery stations, art activities and more. People of all ages can get to know these birds and learn why St. Martin is so important to them.

Learning what migratory birds eat at the 2018 Migratory Bird Festival.

The 2019 theme for World Migratory Bird Day is Protect birds: Be the solution to plastic pollution. Plastic pollution is a worldwide problem and a great threat to birds. Since the 1950s, we have made an estimated 8.3 billion tons of plastic. Over 90% of plastic is not recycled and ends up in our landfills and natural spaces.

Plastic can hurt birds in many ways. Birds mistake floating plastics like bags, drinking straws and bottles for food. Parent birds feed plastic to their chicks. Swallowing sharp plastic can kill birds by piercing organs. Birds can starve with stomachs full of plastic, and birds can die after being trapped in plastic waste or fishing line.

A young Brown Booby caught on a fishing lure. Many kinds of plastic are dangerous to Caribbean birds. (Photo by Michiel Oversteegen)

Residents and visitors of all ages are invited to the Migratory Bird Festival from 9am to noon on November 9th at Amuseum Naturalis in French Quarter. The festival is made each year by the Les Fruits de Mer association. Contact the Les Fruits de Mer to volunteer or become a sponsor. To learn more about the festival and see photos and videos from previous years, visit: http://www.lesfruitsdemer.com/events/migratory-bird-festival/

Decorating cotton totes to use in place of plastic bags at the 2018 Migratory Bird Festival.

Four Quarters

In 1772, Auguste Descoudrelles, the Commander of French St. Martin described the four quarters of the territory he was commanding. At the time, these were French Quarter, Grand Case, Colombier and Marigot. Although almost 250 years have passed, some essential traits of each quarter still remain today.

Descoudrelles describes French Quarter as the oldest community. He believes it may have originally been Quartier d’Orient, or East Quarter, with Orient over time becoming Orléans. Even in 1772, most of the people living there were born there, and many had parents who were born there. He noted two natural features. One was the large and beautiful Fish Pond, the other was Oyster Pond, a well-protected harbor divided by an imaginary line between French and Dutch. Although it had a large population and bordered the Dutch territory, it was the only quarter without a militia.

St. Martin in 1775.

At the time, the quarter of Grand Case stretched across the entire top of the island from Cul-de-Sac to Friar’s Bay. It was slow to be settled because it was so dry, but by 1772 had become the most populated. Cul-de-Sac was noted as a safe harbor for ships and the areas between Anse Marcel and Grandes Cayes were not yet developed. Today, Cul-de-Sac is still a popular place to anchor ships, and the northeast corner of the island is still the least developed area.

Colombier was known for its forests and for having the best farming land on the island. Descoudrelles claimed its forests were spared because they were difficult to access. The quarter had very little sea shore, but spread out in the interior, both in width and height.

At the time, the quarter of Marigot stretched from the Lowlands to where it met Colombier. Descoudrelles felt the land was some of the best for farming, except the the Lowlands and Sandy Ground, which were too dry. Descoudrelles built a house there and “had many good reasons to believe this quarter would become the main town.”

Over the years, many things have changed on St. Martin, but these quarters still reflect some of the character that was described so long ago. French Quarter is still home to some of the island’s longest family histories. Colombier is still lush and fertile. The geography that protected its trees has helped protect some of its traditions. How we use boats has changed, but a good harbor is still very valuable.

What is the essence of the quarter where you live? Tell us by writing in to The Daily Herald or info@lesfruitsdemer.com.

The threats to sweet St. Martin are many and varied. Some have causes far beyond local control, like global warming. Some problems are local, like trash and pollution. Some come by surprise, like the sudden invasion of sargassum in 2011. Some, like droughts, come in repeated cycles.

In the aftermath of Hurricane Irma, several recent droughts, the arrival of sargassum, an often burning landfill and variety of other concerns, we are very aware that St. Martin is delicate and vulnerable. It would seem that these issues have finally risen to a point of crisis. In fact, the fragility of St. Martin and its resources has been recognized for longer than one might think.

Auguste Descoudrelles.

Consider this passage written by Auguste Descoudrelles in 1772 and translated in the publication St. Martin’s Gazette:

This island in the condition it is now, has no more natural resources except fishing, which is excellent near our coasts…Pigeon hunting is still every important in season, but this resource will diminish as the colony grows bigger. Already because of the number of inhabitants, we have to clear the mountains and woods…The Dutch side has far less resources than we do. As for sea-fishing, their coasts are almost completely ruined as much because of the number of fisherman as by the lack of policy in their area and the fishing gear used.

Auguste Descoudrelles was the Commander of French St. Martin for much of the time between 1764 and 1785. His writing reveals an island already strained by its population. His statements about issues like habitat destruction, overfishing and a lack of nature-friendly policy could easily be made today.

Scaly-naped Pigeons have survived 400 years of hunting.

He writes that Grand Case “took the longest time to get established because the lands of this quarter were generally considered as the most exposed to the drought of all the island.” In his description of Colombier he remarks on “the lignum vitae wood which was once upon a time so common and now become so scarce.”

It is amazing to think that some of the problems facing St. Martin today were already so visible over 200 years ago. It is miraculous that an island that has suffered so long still has so much natural beauty to offer us. The pigeons and fishes and trees that have been threatened for so long have not yet disappeared. While reflecting on Descoudrelles’s warning from the past, we can be thankful that we still have a chance to help preserve St. Martin today.

What parts of St. Martin are in the greatest peril today? Tell us about them by writing in to The Daily Herald or info@lesfruitsdemer.com.

Terroir

How would you describe St. Martin in a sentence? Anyone who lives here knows it is a special and unique place. It is sunny, vibrant and very Caribbean.

Yet the island is usually defined by a border. It is the island that is half French and half Dutch. This is often the first fact that people turn to when describing St. Martin. From there it is easy to continue in this direction, emphasizing the French-ness of the French side and the Dutch-ness of the Dutch side. This notion is appealing to tourists and it does start to imply the multicultural richness of the island.

But often the essence of St. Martin is ignored. In most ways, it is not much like France or the Netherlands. St. Martin has its own history, its own culture, its own plants and animals. It is not Paris with snorkeling or Amsterdam on a white sand beach. We love it because it is St. Martin, but somehow it is not as easy to describe this island’s magic without leaning on two nation trivia.

Ironically, the French themselves are better than anyone at promoting the unique essence of a place. The word terroir is used to describe the local environment where a product is produced. The word comes from the word for land, and it’s why there are so many kinds of French wine. Many kinds can only be made in tiny areas that are tightly controlled. It is a pure expression of the belief that each place is unique.

Terroir is specific to agriculture, but the broader idea can be seen all over France. Each region has its own cheeses, pastries or sausages. A town of 2,000 people is world famous for the Espelette pepper that originally came from the Caribbean. And all of these products with their unique names and stories bring more tourists to France each year than any other country in the world.

Salt was St. Martin’s original artisanal product.

Raising the profile of truly local products and culture on St. Martin would enrich the island in many ways. It would foster a sense of identity and self-worth and connect St. Martiners with their heritage. It is the essence of sustainable tourism. St. Martin is a unique terroir and it should be developed.

What are the products of St. Martin? Sadly, artisanal salt production probably can’t happen without major environmental clean-up. But we do have guavaberry rum, Beauperthuy punch and plenty of local foods. There are local fishing, farming and livestock raising traditions.

There are heritage buildings still standing featuring local designs. Local artwork and writing showcase St. Martin landscapes and language. It is not hard to imagine a St. Martin defined by what is great about St. Martin, rather than its relationship to European countries.

What fantastic things are unique to St. Martin? Tell us about them by writing in to The Daily Herald or info@lesfruitsdemer.com.

History and Voyage

Every early account of St. Martin reveals something unique. During the early history of the island there were few written records, so every stray detail is of interest. Often, St. Martin appears in only a few sentences in a book about wider travels in the Caribbean. The reality of the island at the time is a great sea of possibility, shaped only vaguely by a handful of written observations.

Of course, all the early writings about the island were by European men educated enough to write. Many of those people were priests. Guillaume Coppier was an exception in some ways. Although he could write, he was not wealthy. Although he was Christian, he wasn’t part of the church.

Guillaume Coppier’s History and Voyage to the West Indies.

He came to the Caribbean as an indentured servant in 1628. He lived and labored on St. Kitts, which was then shared by the English and the French. He had worked about a year and a half there before the Spanish attacked the island. While fleeing, he became stranded in St. Martin for two months. His account of this time on St. Martin was published fifteen years later, along with an account of his other travels.

His book, History and Voyage to the West Indies and to Several Other Maritime and Faraway Regions, is discussed in detail in the book Desperate in St. Martin: Notes on Guillaume Coppier by Gérard M. Hunt. Hunt describes the unique style of the text and provides and easy to read translation of most of the book.

As one might expect, Coppier did not enjoy being stranded on St. Martin, “dying of hunger and thirst; having no water but that which flowed through several minerals that made it distasteful.” For Coppier, the Caribbean was full of mosquitoes and biting flies and short on food and drinkable water.

But St. Martin was also lovely, especially “several beautiful salt marshes, located in the low land of the island.” He found St. Martin “full of tall trees different from ours” and “different sorts of birds and a good number of parakeets.” Sea turtles and their eggs were plentiful.

He also had praise for small lizards that he called anoles. He claimed that when men were sleeping on the ground, these lizards would pinch them on the ears to wake them up when snakes were nearby. He said they were “our guardians when we rested, and that we slept in peace among them.”

How much can we believe early accounts like Coppiers? We can be sure that lizards weren’t trying to protect him. We can also be sure that sea turtles were plentiful back then. We don’t have any parrot or parakeet specimens from St. Martin, but they do feature in other early writings. It may be hard to imagine a St. Martin covered in tall trees, but beautiful wetlands can still be found. His words reveal an island that is still recognizable to us today despite hundreds of years of change.

Has a lizard ever helped you? Tell us about it by writing in to The Daily Herald or info@lesfruitsdemer.com.

English translations of Coppier’s text in this article are taken from Desperate in St. Martin.

The Mare Mischief

“Mare Mischief took Alva on the 1st and 2nd of May, 1897”

Mischief’s love life.

Many decades had passed for the little brown notebook before the mare Mischief arrived in its pages. The early portion of the notebook was written in the early 1800s. The sexual exploits of this horse were recorded at the end of the century.

The love life of a horse may seem out of place in a book that was mostly used to record medical remedies. On the other hand, horses were valuable, and breeding them was important. Horses transported goods and people around the island. On the plantations, they pulled cane carts or loads of other crops like tobacco and cotton.

Horse records from the late 19th century.

At the Spring Plantation, where The Old House is today, records show there were 3-20 horses at a time between the late 1700s and early 1800s. There were more when the plantation was profitable and fewer during hard times.

By the late 1800s, long after the peak of sugar production, the number of horses may have been limited. They were valuable and surely it was expensive to import them. In the notebook, the purchase of Mischief was recorded: “Mare from Rose Duma called Mischief bought on the 5th April 1896 for 482 francs.” This price would be around a couple thousand dollars today.

Recording the lineage of horses may have been used to avoid interbreeding them. It could also help owners keep track of which pairs made the best offspring. Although the little brown book doesn’t record the family tree of the people writing it, it does record the family history of the horses: “Mischief colted on the 25th April 1897 — colt called Beauty”

Mischief must have been a good horse: “mare Fanny [was] bought from Hays Viotty on the 20th March for 320 francs.” Poor Fanny was only worth 2/3 the price of Mischief.

We can also see that Mischief was bred with Alva just a week after giving birth to Beauty. Mares usually go into heat about a week after giving birth. Breeding them during this “foal heat” gives the owner the chance to have a new foal each year. We don’t know the rest of Mischief’s story, but perhaps she still has family on St. Martin today.

Do you have any stories about horses on St. Martin? Share them by writing in to The Daily Herald or info@lesfruitsdemer.com.

Rheumatism and Change

A 19th-century notebook full of handwritten medical recipes from St. Martin is consistent for the first 25 pages. There are remedies for ills and other useful things. Everything is noted in what seems to be the same steady handwriting. But on page 26, things change.

A jagged line across the page marks the starting point of a “cure for Rheumatism.” The letters are suddenly irregular as if written by a shaking hand. Dark spots litter the page where droplets of ink had accidentally fallen.

A cure for rheumatism.

The recipe itself is similar to many that came before. Raw turpentine, castile soap and sulfur are combined and applied to the bottom of the feet. This seems to be the last entry from this author. It is tempting to wonder if the author was aging, and perhaps suffering from rheumatism or other ailments.

On the very next page, the handwriting changes in style. Remedies for jaundice are described, made from cucumbers, carrots and yellow Doodle Doo. It is impossible to say how much time may have passed between one entry and the next.

The following page begins with the words Pour Mal de Gorge, and gives a remedy for sore throat in French. The handwriting has again changed completely. From this point on, the notebook is much less orderly. Pages are skipped and entries are crossed out. The language bounces back between English and French.

The purpose of the book remains the same. Most entries record medical recipes gathered from one doctor or another. The rest record things that were useful or important. Although the authors changed over time, the notebook served its function for decades.

The notebook passed from one person to the next. With it, knowledge passed from one generation to the next. On St. Martin, this often happened orally. Wisdom and stories were passed on with the spoken word. Over time, the culture of St. Martin grew from this process. In this small notebook, we can see it and hold it in our hand. It has passed all the way to us.

Do you have any stories or remedies passed down in your family? Share them by writing in to The Daily Herald or info@lesfruitsdemer.com.

For a Young Woman…

In a 19th-century notebook full of handwritten medical recipes from St. Martin, there is an interesting entry on the fifth page. It describes a medical preparation “For a young woman who has not menstruated.” The recipe is as follows:

“a large hand full of Doodledoo Roots, as much of Cankerberry roots, & the same quantity of Cashia roots, put with 6 pints of water, & boiled down to three, a tumbler taken three times a day, & plenty of exercise taken. a tablespoon full of Yucca in each tumbler of drink, & sweetened if necessary.”

This medicine is different from most in the notebook. It is one of the only recipes that is entirely made of local plants. Doodledoo is a name still used for the columnar or candlestick cactus growing on St. Martin. Cankerberry can refer to a couple different plants on St. Martin, the Bahamas nightshade and the rouge plant or jumbie basil. Cashia is another name for the acacia tree.

A medical recipe from the 1800s on St. Martin.

The exact purpose of this cure is unclear. Was it used when menstruation was delayed or irregular, which was seen by some doctors as a problem at the time? Was it for a young woman who had never menstruated? Or a young woman who had stopped menstruating because she was pregnant? It isn’t clear from the text.

Most of the cures in the book are actual remedies given to people on the island. In several cases, they were named in the description of the remedy. In this case, we don’t know who the young woman is. We also don’t know her age, her background or whether she was free or enslaved.

Was this medicine used to end pregnancies? There is a long history of abortion as a form of resistance for enslaved people. By not having children, enslaved people were able to hurt slaveholders economically and keep a future generation from suffering under slavery. The enslaved women who were midwives and healers also had some of the best knowledge about plant medicine.

However, this book was not written by an enslaved person. For economic reasons, a slaveholder would not want to end the pregnancy of a person enslaved by them. Abortion was also illegal and against the rules of the church, so it wasn’t allowed for free people at the time, either.

The plants used don’t offer immediate clues, either. Cankerberry and Cashia both have plant medicine uses in the Caribbean and beyond. But there isn’t clear evidence that they were used for anything related to menstruation, particularly on or near St. Martin. Perhaps further research can reveal more about this recipe and its purpose.

Do you have any ideas about this recipe? Share it by writing in to The Daily Herald or info@lesfruitsdemer.com.